oneofftwo STUDIOS

paintings by dore stockhausen - jewellery by marcus foley

Dore Stockhausen’s Painting Archive

 
 

insight.outlook
2023

Why, I asked myself, are those leaves red and others green? Why are there so many different types of plants? And why are we all the same and yet so different? Throughout our past we gain insight into how things work. That knowledge will influence the outlook on our future. The works in this exhibition blur the boundaries between inside and outdoors to underline the importance of nature in our lives. I painted pillars, that also could be tree-trunks, as symbols of nature’s strength. Nature is the foundation for all possible life and is undeniably good for the soul. These artworks bring nature inside so we can keep on letting our souls dangle with joy.
Dore Stockhausen

 

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The edge of my vision - fire
2020

 
 

'ripples, rhythm and the minuscule 31' by Dore Stockhausen,  acrylic on canvas on aluminium composite panel 33 cm W x 33 cm H 2019.JPG
 


ripples, rhythm and the minuscule
2019

This latest collection of her acrylic paintings references the waters around FLOAT at Lake Tyres.
Dureing the 2019 winter she was lucky enough to spend a couple of weeks on FLOAT, an amazing floating artist residency on the very edge of the lake. Every day was a new visual adventure for her where she would see the surrounding water, both above and below, in a different way.
Her paintings express this changing nature of water, light and physical disturbances.


'Step by Step II' by Dore Stockhausen, acrylic on canvas on aluminium composite panel 110 cm W x 122 cm H 2018.JPG



Walking Pace
2019

Walking Pace is an exhibition of paintings that are the result of Dore’s two week residency at Cradle Mountain National Park during June 2018. She spent her time there exploring the unique surroundings by foot to absorb herself in the colours, patterns, and forms found within both the natural and the man-made. The paintings that came out of this process are not a portrayal of the actual landscape, but an engagement with its mystery. Dore wishes for the viewer to look more observantly at the world around them to see the beauty in the natural and the fabricated environments.


Dore’s latest exhibition of paintings were also shown at Cradle Mountain Wilderness Gallery from 1st of March till the 30th of June 2019.


'Hobart, 1st sighting' - by Dore Stockhausen 2017. acrylic on canvas on dibond. 110cm W x 70cm H.JPG

Recent Paintings.... (well, they were in 2018…)

Including.....

Three sightings of Hobart - viewed from a distant hill at night, and rather than depict reality, forms and colours are abstracted to evoke the essence of place to create a sense of timelessness. A floating glimpse into the past or future or a peripheral view of the moment 

Also a group of 5 paintings that are abstract expressions of photo images taken at night-time of the furled sails of a very old Broome pearling lugger that is occasionally moored at our local jetty.

And 3 sunsets....or rather, paintings of the feeling of being the sunset: the air, the water. All colour and light.


'First Thursday seven forty nine' - by Dore Stockhausen, acrylic on canvas on dibond, 55 cm H x 55 cm W3, 2017.JPG
 

High Times
2017


 

This series of paintings is the result of Dore's two weeks Artist residency at Falls Creek courtesy of the mountain management and their Arts and Culture program. 

Photos taken during her early morning or evening walks around the beautiful and varied alpine landscape provided the inspiration as well as the titles to this group of paintings.

 


'behind the dunes IV' - from 'point, pace and flow' by Dore Stockhausen, 2016 - 900mm W x 500mm H. acrylic on canvas on dibond.JPG
 

point, pace and flow
2016

Dore's second solo painting exhibition has been inspired by her love of playfully taking photographs of night-time scenes, whereby using long exposures and thoughtful camera moves she captures the expected and unexpected.
 


 

Across and Beneath
2016

For the past 23 years jumping off the nearby jetty, staring at sunsets and swimming in the Gippsland Lakes has been an almost daily part of my life.

It’s about time that these waters appear in my work!
 

 

 


 

The Drive
2016

 

This small series of works comes from an ongoing area of exploration; time, place and the peripheral view. In this instance, driving home along Nungurner road.

 

 


 

Spring Bloom
2015

We grew some tulips and jonquils which I photographed, cut and in vases against the night time blackness of our kitchen window.

Then I did these paintings.

 


 
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All of Dore's paintings are unframed with the canvas stretched and bonded to a laminated aluminium composite panel. When finished the rear of the panel is bonded with industrial tape to hollow aluminium tubing forming a structure to which the hanging wire is attached . When hung the paintings have a clean modern look with a shallow shadow line.

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